The article explores the way in which new objects of study, such as dance performance and art–practice, emerge in algorithmic aesthetics. The advent of digital communicative practices shapes new means of formalization of dance performance scripts, which nowadays have various technological solutions, including algorithmic ones. Classical aesthetics is unable to describe the technological modernization of artistic expression. The author offers a general framework of algorithmic aesthetics to study of dance performance and art practice.
Дата публикации:
2024-11-23
Серия:
Том (volume):
22
Выпуск (issue):
1
Страницы:
82-95
Идентификатор:
oai:oai.sibphil.elpub.ru:article/664
https://sibphil.elpub.ru/jour/article/view/664
10.25205/2541-7517-2024-22-1-82-95
Лицензия:
Источник: