Театральная гносеология: разрешение перформативного парадокса через событийную модель познания
Submitted by Гость (not verified) on Tue, 10/13/2026 - 16:14The article provides a comprehensive justification for the project of Theatrical Gnoseology (TG) – a new epistemological model developed in response to the fundamental performative paradox of classical theory of cognition, identified through an analogy with the paradox of L. Wittgenstein’s «Tractatus Logico-Philosophicus». The paradox lies in the impossibility of legitimising the criteria of cognition using the cognitive apparatus itself without transcending the very boundaries declared by these criteria. We show that historical (I. Kasten) and contemporary (H.-T. Lehman, K. Barad, B.